The recording of this event has been reserved for view by Knowlton faculty and students. To request access to the recording, contact Knowlton Communications.
This event will consist of a brief overview of the arguments outlined in Race and Modern Architecture and Building Character: The Racial Politics of Modern Architectural Style. Following his presentation, Assistant Professor of Landscape Architecture John Davis will talk with Davis about his work.
Charles L. Davis II is an assistant professor of architectural history and criticism at the University at Buffalo. He received his PhD in architecture from the University of Pennsylvania and has an MArch and BPS from the University at Buffalo. His academic research excavates the role of racial identity and race thinking in architectural history and contemporary design culture. His current book project, tentatively entitled “Black By Design: An Interdisciplinary History of Making in Modern America” recovers the overlooked contributions of black artists and architects in shaping the built environment from the Harlem Renaissance to Black Lives Matter. He has published articles and essays in Architectural Research Quarterly, Journal of the Society of Architectural Historians, Harvard Design Magazine, Log, Aggregate, Append-x, and VIA.
Davis is co-editor of the cultural reader Diversity and Design: Understanding Hidden Consequences (Routledge, 2015) and the forthcoming Race and Modern Architecture (University of Pittsburgh, 2020), which collects 18 case studies on the racial discourses of modern architecture from the Enlightenment to the present. His book manuscript, Building Character: The Racial Politics of Modern Architectural Style (University of Pittsburgh, 2019) traces the historical integrations of race and style theory in paradigms of “architectural organicism,” or movements that modeled design on the generative principles of nature. This research has been supported by grants from the Canadian Center for Architecture, the Graham Foundation for Advanced Studies in the Fine Arts, the University of Pennsylvania, and the University of North Carolina at Chapel Hill.